B-PLOT collaboration in process … Here, Little India, Singapore. One map, two ways.
studio news
I'm so honoured to be the 2016 Founder’s Award recipient for Remembering 1209 in Artist as Quiltmaker: the 17th Biennial Exhibition of Contemporary Quilts, now through July 31, 2016, in Oberlin, OH, USA. The show is juried by Mark Newport, head of the Fibers Department at Cranbrook and the maker of these sweatermen costumes, embroidered record covers, and other amazings.
studio news
Right to Left selected for Breakout: Quilt Visions 2016, October 15, 2016 - January 8, 2017, Visions Art Museum, San Diego, CA
studio news
Subway Lines and Remembering 1209 selected for Artist as Quiltmaker, AQM XVII, May 15–July 31, 2016
Rafaël Rozendaal
Rafael Rozendaal, Abstract Browsing at Steve Turner Los Angeles (January 9 - February 6, 2016) via It's Nice That
Simon Callery
Armelie Caron
Armelie Caron, new york / new york range, impressions numériques sur toile, environ 90 cm x 120 cm par plan (http://www.armellecaron.fr)
Marie Yoho Dorsey
Valley of the shadow…
2012
Etching and hand embroidery on Japanese goyu
20″ x 24″
(Muriel Guepin Gallery)
MWM Graphics
Matt W. Moore, CORE DECO : Jaquard Afghans (2011)
Latifa Echakhch
À chaque stencil une revolution (for each stencil a revolution) at The Hammer Museum
À chaque stencil une revolution (for each stencil a revolution) at Miami Art Basel, 2010
via Pattern Pulp / image source, top / image source, bottom
Charles Counts
Untitled, by Charles Counts, made by Rubynelle Counts and members of the New Salem Community, c. 1965
source: Robert Shaw, The Art Quilt (Hugh Lauter Levin Associates, Inc., 1997)
Marie Tharp
Marie Tharp and Bruce Heezen, map of the North Atlantic, 1959
source: Columbia News, New York Times Book Review
Zarina Hashmi
Untitled, 1979 Detail Laminated paper pierced with sewing needle
My House 1937-1958, 1994, Etching printed in black on Arches Cover buff paper
source: Luhring Augustine
Tiffany Chung
Atlas for the Blind, 1837
Alighiero Boetti
Tutto (Everything), 1992-3, embroidery on cloth (via MoMA)
Sumiye Okoshi
Plenum #64, rice paper on canvas (source)
“Log Cabin” blocks arranged in a pattern called “Straight Furrow.” Pennsylvania. ca. 1890. Cotton. 74 x 74
from Jonathan Holstein's Abstract Design in American Quilts: A Biography of an Exhibition (Louisville, KY: The Kentucky Quilt Project Inc, 1991)
Stephen Doyle
The Professor’s House, novel by Willa Cather, rearranged in 2001 (via Design Observer)
Stephen Sollins
Elergy (Tulips), 2003 (source: Arthur Roger Gallery)
Stephen Sollins
Elergy (Tulips), 2003
embroidery and removed embroidery
49.5 x 53.25 inches