Singapore Blue Map and 1209 Post Roads are on view at 10X10X10XTieton, the 7th annual International Small Works Exhibition at the Tieton Arts & Humanities’ Mighty Tieton Warehouse in Tieton, Washington from August 12 - October 8, 2017.
Undercover at Materials: Hard + Soft
Undercover is on view at the 30th annual Materials: Hard + Soft International Contemporary Craft Competition and Exhibition, February 4 - May 6. View the catalog and shop the artwork in the exhibition online here.
One map, two ways
B-PLOT collaboration in process … Here, Little India, Singapore. One map, two ways.
studio news
I'm so honoured to be the 2016 Founder’s Award recipient for Remembering 1209 in Artist as Quiltmaker: the 17th Biennial Exhibition of Contemporary Quilts, now through July 31, 2016, in Oberlin, OH, USA. The show is juried by Mark Newport, head of the Fibers Department at Cranbrook and the maker of these sweatermen costumes, embroidered record covers, and other amazings.
Remembering 1209
Old Rayon/Cotton Curtain panel, Discarded Men’s White Cotton Shirt, Organic Cotton, Cotton Batting, Thread
GPS Track Recordings, Pencil Drawing, Machine Piecing, Free-motion Stitching
37 x 24
Made in Singapore
2015
studio news
Right to Left selected for Breakout: Quilt Visions 2016, October 15, 2016 - January 8, 2017, Visions Art Museum, San Diego, CA
studio news
Subway Lines and Remembering 1209 selected for Artist as Quiltmaker, AQM XVII, May 15–July 31, 2016
Rafaël Rozendaal
Rafael Rozendaal, Abstract Browsing at Steve Turner Los Angeles (January 9 - February 6, 2016) via It's Nice That
Simon Callery
simon-callery-flat-painting-bodfari-15-caput-mortuum-11
simon-callery-flat-painting-bodfari-1415-cadmium-red-deep-21
Simon Callery, Flat Paintings, FOLD Gallery, 2015 (FOLD via Selvedge Magazine)
Armelie Caron
Armelie Caron, new york / new york range, impressions numériques sur toile, environ 90 cm x 120 cm par plan (http://www.armellecaron.fr)
Marie Yoho Dorsey
Valley of the shadow…
2012
Etching and hand embroidery on Japanese goyu
20″ x 24″
(Muriel Guepin Gallery)
MWM Graphics
Matt W. Moore, CORE DECO : Jaquard Afghans (2011)
Latifa Echakhch
À chaque stencil une revolution (for each stencil a revolution) at The Hammer Museum
À chaque stencil une revolution (for each stencil a revolution) at Miami Art Basel, 2010
via Pattern Pulp / image source, top / image source, bottom
Charles Counts
Untitled, by Charles Counts, made by Rubynelle Counts and members of the New Salem Community, c. 1965
source: Robert Shaw, The Art Quilt (Hugh Lauter Levin Associates, Inc., 1997)
Marie Tharp
Marie Tharp and Bruce Heezen, map of the North Atlantic, 1959
source: Columbia News, New York Times Book Review
Zarina Hashmi
Untitled, 1979 Detail Laminated paper pierced with sewing needle
My House 1937-1958, 1994, Etching printed in black on Arches Cover buff paper
source: Luhring Augustine
Tiffany Chung
Atlas for the Blind, 1837
Alighiero Boetti
Tutto (Everything), 1992-3, embroidery on cloth (via MoMA)
Sumiye Okoshi
Plenum #64, rice paper on canvas (source)
“Log Cabin” blocks arranged in a pattern called “Straight Furrow.” Pennsylvania. ca. 1890. Cotton. 74 x 74
from Jonathan Holstein's Abstract Design in American Quilts: A Biography of an Exhibition (Louisville, KY: The Kentucky Quilt Project Inc, 1991)